With studio sessions uncompleted, the Grateful Dead made three concert appearances. George would take "Six Feet of Snow," a collaboration with Keith Godchaux, to his next Little Feat album, Down on the Farm. – Noah Lewis's "All New Minglewood Blues" and the Young Rascals' "Good Lovin'" – originally dated from the first years of the band (the latter previously sung by Ron "Pigpen" McKernan) but were presented in more contemporary arrangements. Written with lyricist John Perry Barlow, "I Need a Miracle" is a rave-up rocker featuring his longtime friend and Kingfish bandmate Matthew Kelly on harmonica. We were feeling sensitive because someone said 'Oh you write songs about guys for guys.' Something that would sound good in an old '50s cocktail lounge – that was the idea." Ĭontrasting with disco, California soft rock and ballads were the songs brought by Weir. According to Hunter, "Jerry and I sat down and on a lark decided to write a romantic song, just for the heck of it. The duo also contributed the torch song "If I Had the World to Give," an atypical work in their oeuvre. " Stagger Lee" is an original Garcia/Hunter composition based on the oft-covered folk song. (In between her two contributions, she also wrote and sang "Rain" on Cats Under the Stars.) Her background as a gospel-soul session singer at Muscle Shoals Sound Studio is evident in her vocal delivery. Donna made her second, and final, singing-songwriting performance on a Dead studio album with "From the Heart of Me". Hart and Hunter's "France" was sung by Donna Godchaux and rhythm guitarist Bob Weir, who devised the final arrangement and earned a compositional credit. Although an attempt to record the song for Terrapin Station proved to be unsuccessful, it rapidly evolved into one of the band's principal jamming vehicles (often paired with Garcia's "Scarlet Begonias") during their spring 1977 tour. Hart's reggae-informed "Fire on the Mountain", with lyrics by Garcia's writing partner Robert Hunter, evolved from "Happiness is Drumming", which appeared on his Diga Rhythm Band's 1976 album. As with the previous album's "Terrapin Flyer", Hart and Kreutzmann wrote a percussion-based instrumental track ("Serengetti"), recording it at the compound of Rolling Thunder, in Nevada. Drummer Bill Kreutzmann said "We didn’t want to work with Keith Olsen again, but we had to keep our promise to Clive Davis and have someone in the producer’s chair – so we hired Little Feat’s Lowell George." ĭrummer-percussionist Mickey Hart exerted greater influence than previously, earning three co-compositional credits in addition to assisting with the arrangements of several songs, including Garcia/Hunter's title track (influenced by his interest in the Bee Gees and disco). The Dead again worked with an outside producer, but this time they sought a fellow and respected musician. The rehearsal/storage space was then convenient for recording Shakedown Street, as lobbied for by Garcia. In 1977, when lead guitarist Jerry Garcia was rehearsing with the Jerry Garcia Band for the recording of Cats Under the Stars, they decided to capture the sound of the room, installing studio recording equipment. Toward the end of the Grateful Dead's 1974–1976 hiatus, they rented a Front Street warehouse in San Rafael. The record was produced by Lowell George (of Little Feat) and John Kahn. It was the final album for Keith and Donna Jean Godchaux, who left the band a few months after its release. The album came just over a year after previous studio album Terrapin Station. Shakedown Street is a tenth studio album by rock band the Grateful Dead, released November 8, 1978, on Arista Records.
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